Andrew Kuhn
Utica Sestina
A long-boned gliding boy in rain. He’d run
in any weather deep into the fall
in hail sometimes around the river’s bend
alone beneath the tall green drugstore clock
so lightly passing that he seemed a trick
of vision in the window of each empty store
and when he’d pass the whitewashed grocery store
his father many years had tried to run
he did not tense or vary pace or fall
behind the others in his mind or bend
the facts he knew or glance up at the clock
but ticked along and picked the miles up trick
by trick the way his father with the trick
knee used to do when business at the store
got slow and no-count pals of his who’d run
up tabs with him they’d never pay would ‘fall
by’ as they put it just to sagely bend
themselves to cards beneath the broken clock
some beer distributor had left — a clock
that told no time yet still displayed the trick
lights of a city river nightscape. Store
the memory away and neither run
away nor towards what cannot change but fall
in with the rhythm of what’s coming. Bend
yourself to what you could not ever bend,
yourself — the world that briskly cleaned the clock
of guileless guys like his nice no-trick
pony of a dad who knew what was in store
yet could not either make a stand or run
away but chose instead to merely fall
in place so that his one son saw him fall
for years yet never break but only bend
as if his dumb defiance of the clock
that ticked out “life is elsewhere” did the trick
and meant it wasn’t so and that his store
of hope and energy would never run
out, until it did. The son took the clock,
locked the store, did not run the river’s bend
but walked. It was no small trick not to fall.
Andy Kuhn’s first serious brush with poetry came in a seminar with Mark Strand in 1970 or so. More recently he did a workshop with Ron Padgett. He has been a journalist, a jobber in firewood, and for the last fifteen years a psychologist. He lives in the New York area and writes furiously while trying also to enjoy life.
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